MNYAKA, Phindezwa. 'Re la Tsoantso' ('Father of the pictures'): Joseph Denfield's photography, 1944-1965. Kronos (Bellville) [online].
2010,
vol.36, n.1, pp. 84-107.
ISSN 0259-0190.
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4 C. Harding, M. Frizot and P. Albert, eds., A New History of Photography (Cologne: Könemann, 1998). [ Links ] 5 M. du Toit, 'The General View and Beyond: From Slum-yard to Township in Ellen Hellman's Photographs of Women and the African Familial in the 1930's' in P. Hayes, ed., Gender and History: Special Issue Gender and Visuality, 17(3), 2005, 593-626 [ Links ] 6 D. Kantz, 'Politics and Photography in apartheid South Africa', History of Photography, 32(4), 2008, 290-300. [ Links ] 7 See, for example, S. Lotter, 'Gopal Naransamy : A Photographer without Photographs', Kronos: Southern African Histories, 33, Nov. 2007, 163-180. [ Links ] 8 P. Hayes, 'Power, Secrecy, Proximity: A Short History of South African Photography', Kronos: Southern African Histories, 33, Nov. 2007, 139-162. [ Links ] 9 See W. Hartmann, J. Silvester and P. Hayes, eds., The Colonising Camera: Photographs in the Making of Namibian History (Cape Town/Windhoek/Athens/: University of Cape Town/Out of Africa/Ohio University Press, 1998), [ Links ] especially W. Hartmann, 'Performing Gender, Staging Colonialism: Camping It Up/Acting It Out in Ovamboland', 156-163; [ Links ] P. Hayes, 'Northern Exposures: The Photography of C.L Hahn, Native Commissioner of Ovamboland', 171-187. [ Links ] 10 L. Rizzo, 'A Glance into the Camera: Gendered Visions of Historical Photographs in Kaoko', Gender & History: Special Issue Gender and Visuality, 17(3), 2005, 682-713. [ Links ] 11 J. Denfield and M. Bull, Secure the Shadow: the Story of Cape Photography from its beginnings to the end of 1870 (CapeTown: Terence McNally, 1970). [ Links ] 12 DC, Denfield, 'The Story behind the Pictures', Unpublished manuscript, 1953. [ Links ] 13 C.M. Geary, In and Out of Focus: Images from Central Africa, 1885-1960 (London: Phillip Wilson Publishers, 2002): 15. [ Links ] 15 P.S. Landau , 'An Amazing Distance: Pictures and People in Africa' in P.S. Landau and D.D. Kaspin, eds, Images and Empires: Visuality in Colonial and Postcolonial Africa (Los Angeles: University of California Press, 2002): 3. [ Links ] 21 Denfield, 'Recording Life in Nigeria', Photography, Nov.-Dec. 1946, 19-23 [ Links ] 22 See E. Edwards, ed., Anthropology and Photography, 1860-1920 (New Haven and London: Yale University Press, 1992). [ Links ] 23 Denfield, 'Pagan Sanctuary', Today: Photo World, Autumn 1947, 53-56 [ Links ] 25 C. Harding, M. Frizot and P. Albert, eds., A New History of Photography (Cologne: Könemann, 1998): 271 [ Links ] 26 C. Pinney, 'Notes from the Surface of the Image: Photography, Post-colonialism and Vernacular Modernism' in C. Pinney and N. Peterson, eds., Photography' s Other Histories (Durham and London: Duke University Press, 2003): 202-220. [ Links ] 32 J. Wright, 'Choice of Subjects for Salons', S.A Photography, 4(6), 1953, 1-3. [ Links ] 37 K. Shillington, History in Southern Africa (Essex: Longman, 1987). [ Links ] 39 S. Rosenberg, 'Monuments, Holidays and Remembering Moshoeshoe: The Emergence of National Identity in Lesotho, 1902-1966', Africa Today, 46(1), 1999, 49-72, [ Links ] 40 Rosenberg, 'Monuments, Holidays and Remembering Moshoeshoe', 51, [ Links ] 41 Denfield, 'The Story behind the Pictures'. [ Links ] 42 Denfield, 'My Favourite Print', Camera News, Dec. 1955, 272-273. [ Links ] 43 Denfield, 'Recording Life in Nigeria', 23. [ Links ] 44 Denfield, 'My Favourite Print', 272. [ Links ] 45 P Hayes, 'Northern Exposures: The Photography of C.H.L Hahn, Native Commissioner of Ovamboland 1915-1946' in W. Hartmann, J. Silvester and P. Hayes, eds., The Colonising Camera: Photographs in the Making of Namibian History (Cape Town/Windhoek/Athens/: University of Cape Town/Out of Africa/Ohio University Press, 1998), 171-187. [ Links ] 47 See E.N. Wilmsen, 'Primitive Politics in Sanctified Landscapes: The Ethnographic Fictions of Laurens van der Post', Journal of Southern African Studies, 21(2), 1995, 201-223. [ Links ] 48 DC, Denfield, 'Portfolios, Print Collections and Exhibits Committee Notes', June 1955. [ Links ] 49 Sunday Chronicle, 27 December 1964. [ Links ] 50 Denfield, Pioneer Port: The Illustrated History of East London (Cape Town: Howard Timmins, 1965): 5. [ Links ] 51 P. Hayes, 'Introduction' in Gender & History Special Issue: Gender and Visuality, 17(3) 2005, 519-537. [ Links ] 52 A .McClintock, Imperial Leather: Race, Gender and Sexuality in the Colonial Contest (London: Routledge, 1995): 371. [ Links ] 53 L. Bank and L. Maqashu, West Bank Land and Restitution Claim: Social History Report (East London: Institute of Social and Economic Research, Rhodes University, 1999). [ Links ] 55 A. Hoffman, 'Introduction' in Hoffman, ed., What We See: Reconsidering Anthropometrical Collections from Southern Africa: Images, Voices and Versioning (Basel: Basler Afrika Bibliographien, 2009):4-17. [ Links ] 57 E. Edwards, Raw Histories: Photography, Anthropology and Museums (Oxford: Berg Press, 2001):55. [ Links ] 58 E. Edwards, 'Introduction' in Edwards, eds., Anthropology and Photography, 8. [ Links ] 60 C. Pinney, Photos of the Gods: the printed image and political struggle in India (New Delhi & New York: Oxford University Press), 8. [ Links ] 62 J. Silvester, 'Your space or mine? The photography of the Police Zone' in W Hartmann, J. Silvester and P. Hayes, eds., The Colonising Camera: photographs in the making of Namibian history (Cape Town/Windhoek/Athens/: University of Cape Town/Out of Africa/Ohio University Press, 1998): 138-144. [ Links ] 63 P Hayes and A Bank, 'Introduction', Kronos: Southern African Histories, 27, Nov. 2001, 1-14. [ Links ] 64 Daily Dispatch, 1 July 1967. 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