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<journal-meta>
<journal-id>0259-9422</journal-id>
<journal-title><![CDATA[Hervormde Teologiese Studies]]></journal-title>
<abbrev-journal-title><![CDATA[Herv. teol. stud.]]></abbrev-journal-title>
<issn>0259-9422</issn>
<publisher>
<publisher-name><![CDATA[Nederduitsch Hervormde Kerk Afrika]]></publisher-name>
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<article-meta>
<article-id>S0259-94222012000200011</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Reclaiming space for learning in liturgical contexts: cracks in the maxim of the uselessness of liturgical ritual]]></article-title>
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<name>
<surname><![CDATA[Barnard]]></surname>
<given-names><![CDATA[Marcel]]></given-names>
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<surname><![CDATA[Wepener]]></surname>
<given-names><![CDATA[Cas]]></given-names>
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<aff id="A01">
<institution><![CDATA[,University of Pretoria Department of Practical Theology ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>South Africa</country>
</aff>
<aff id="A02">
<institution><![CDATA[,Protestant Theological University Department of Practical Theology ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>the Netherlands</country>
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<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2012</year>
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<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2012</year>
</pub-date>
<volume>68</volume>
<numero>2</numero>
<fpage>74</fpage>
<lpage>82</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.za/scielo.php?script=sci_arttext&amp;pid=S0259-94222012000200011&amp;lng=en&amp;nrm=iso&amp;tlng=en"></self-uri><self-uri xlink:href="http://www.scielo.org.za/scielo.php?script=sci_abstract&amp;pid=S0259-94222012000200011&amp;lng=en&amp;nrm=iso&amp;tlng=en"></self-uri><self-uri xlink:href="http://www.scielo.org.za/scielo.php?script=sci_pdf&amp;pid=S0259-94222012000200011&amp;lng=en&amp;nrm=iso&amp;tlng=en"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[The problem addressed in this article is, that empirical and theoretical research appears to demonstrate that liturgy often aims at certain results. This, however, puts the widely accepted notion in Liturgical Studies of the so-called uselessness of liturgical ritual under pressure. Against this background in Liturgical Studies the aim of this article is to reclaim space in academic discourses on liturgy for learning in liturgical contexts. The latter is done by presenting several liturgical models, revisiting arguments regarding the (non) functionality of ritual or religion and also by reflecting on ritual-liturgical data that the authors personally collected as part of two research projects.]]></p></abstract>
</article-meta>
</front><body><![CDATA[ <p align="right"><font size="2" face="Verdana, Arial, Helvetica, sans-serif"><b>ORIGINAL    RESEARCH</b></font></p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="4"><b><a name="top"></a>Reclaiming    space for learning in liturgical contexts: Cracks in the maxim of the uselessness    of liturgical ritual</b></font></p>     <p>&nbsp;</p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>Marcel Barnard<sup>I,    II</sup>; Cas Wepener<sup>I</sup></b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><sup>I</sup>Department    of Practical Theology, University of Pretoria, South Africa    <br>   <sup>II</sup>Department of Practical Theology, Protestant Theological University,    the Netherlands and VU University Amsterdam, the Netherlands</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a href="#back">Correspondence    to</a></font> </p>     <p>&nbsp;</p>     ]]></body>
<body><![CDATA[<p>&nbsp;</p> <hr size="1" noshade>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>ABSTRACT</b>    </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The problem addressed    in this article is, that empirical and theoretical research appears to demonstrate    that liturgy often aims at certain results. This, however, puts the widely accepted    notion in Liturgical Studies of the so-called uselessness of liturgical ritual    under pressure. Against this background in Liturgical Studies the aim of this    article is to reclaim space in academic discourses on liturgy for learning in    liturgical contexts. The latter is done by presenting several liturgical models,    revisiting arguments regarding the (non) functionality of ritual or religion    and also by reflecting on ritual-liturgical data that the authors personally    collected as part of two research projects.</font></p> <hr size="1" noshade>     <p>&nbsp;</p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>Introduction</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>Reclaiming space    for learning in liturgical contexts<a name="top1"></a><a href="#back1"><sup>1</sup></a></b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The <i>problem</i>    addressed in this article is, that empirical and theoretical research appears    to demonstrate that liturgy often aims at certain (learning, bonding etc.) results.    This, however, puts the 'basic rule' (cf. Post 2001a:43) in Liturgical Studies    under pressure, that liturgy is useless and beautiful, 'juggling with clouds',    'the play of a child'. Cilliers (2008) refers to the 'niefunksionaliteit' &#91;non-functionality&#93;    of worship. Against this background in Liturgical Studies the aim of this article<a name="top2"></a><a href="#back2"><sup>2</sup></a>    is to reclaim space in academic discourses on liturgy for learning in liturgical    contexts. This also corresponds to the particular identity of Protestant worship.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The question we    address is: when is the starting point of gratuity so strained that there is    no question of gratuitous worship any longer? And the <i>background</i> is the    fact that the boundaries between different religious and social practices are    becoming more fluid. This holds for instance for worship and formation (cf.    Sonnenberg &amp; Barnard 2012) and also for worship and social capital building    (cf. Wepener &amp; Cilliers 2010). Congregational Studies, Liturgical Studies,    Formation and Pastoral Care may rather be regarded as perspectives of practices    of faith, than as independent disciplines that relate to a particular domain.    Firstly we will explore and expose what we will call cracks in the maxim of    uselessness of worship/liturgy/ritual. Thereafter we will illustrate it by means    of two ritual-liturgical examples and lastly we will conclude by bringing the    theoretical and empirical insights together. We will here thus firstly critically    discuss the maxim that rituals and liturgy are useless, without giving it up    entirely, and concomitantly goals that in the literature are attributed to worship    will be explored. Five goals of Christian worship will be formulated and we    will elaborate on one case, related to a research project concerning the relation    of social capital formation and liturgical ritual<a name="top3"></a><a href="#back3"><sup>3</sup></a>,    before we conclude.</font></p>     <p>&nbsp;</p>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>Cracks in the    maxim of the uselessness of liturgical ritual</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>Introduction</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In our study we    learned that liturgy is useless. Rituals have no end and serve no aim; they    have no function and are not productive. That does not mean that they are superfluous    and can be missed. There are especially two strong images by which our professors    used to elucidate the uselessness as well as, at the same time, the necessity    of liturgical rituals. Liturgical rituals, one of them said, are just as useful    as to pick up someone from the airport who is very well able to carry her own    suitcase. Another lecturer said that rituals are just as useful as to present    a bridal couple with a set of fine silver teaspoons, whilst four-in-a-dollar    stainless steel copies would do quite well to stir the tea. Liturgy and ritual    have no purpose, they are gratuit, and we perform them for no reason.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Within Liturgical    and Ritual Studies this rule serves as a maxim, a subjective rule.<a name="top4"></a><a href="#back4"><sup>4</sup></a>    Paul Post speaks of 'a basic code': 'rituals are useless and beautiful ... Ritual    action is time wasted; it is the same as the play of a child, the moving of    angels, juggling with clouds' (Post 2001a:40). This remark is made against the    background of a growing functionalising of ritual. The anthropologist Staal    (&#91;1979&#93; 1996:490) complains that 'rituals, instead of remaining useless    and pure, became useful and meritorious'. The idea of liturgy as useless is    connected to definitions of liturgy as ritual and play before God (Guardini    1959:102). Elsewhere Post qualified uselessness as a characteristic of ritual    play compared to the everyday in which functionality reigns (Post 2001b:76).    Guardini, in his famous <i>Vom Geist der Liturgie (The Spirit of Liturgy),</i>    and Lang in his <i>Sacred Games: A History of Christian Worship,</i> both refer    to Plato: 'We should pass our lives in the playing of games - certain games,    that is, sacrifice, song, and dance - with the result of ability to gain heaven's    grace' (Guardini 1959; Lang 1997; Plato in Lang 1997:viii). Guardini (1959),    like others, connects liturgy with the arts, and asks:</font></p>     <blockquote>        <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Has art any aim      or purpose? No it has not ... The work of art has no purpose, but it has meaning      -'ut sit' - that it should exist, and that it should clothe in clear and genuine      form the essence of things and the inner life of the human artist. It is merely      to be 'splendor veritatis', the glory of the truth ... Liturgy has no purpose,      but it is full of profound meaning. It is not work, but play. To be at play,      or to fashion a work of art in God's sight - not to create, but to exist -such      is the essence of the liturgy. (pp. 64, 70)</font></p> </blockquote>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Not only pagan    and Roman Catholic sources define liturgy as play. Also the Anabaptist Johan    Huizinga, in his well-known <i>Homo Ludens</i> argues that cult and religion    can be characterised as play, and says that play is disinterested and gratuitous,    but also indispensable (Huizinga 1940:29-11, 13f.). The reformed theologian    Johan Cilliers (2008) speaks of the 'nie-funksionaliteit van die erediens' (non-functionality    of worship 2008; so do Barnard &amp; Postma; Barnard &amp; Postma 2007). In    general, we can say that the Protestant tradition has been careful to identify    the act of glorifying God through human worship with doing a meritorious good    work. Worship is probably 'profitable unto tranquillity and good order in the    Church', but is not 'necessary to salvation' (Augsburg Confession XV). The <i>glorificatio</i>    rests in the <i>gloria Dei,</i> which is self-sufficient. However, especially    some Reformed theologians have a counter-voice in this regard. The Dutch theologian    Arnold van Ruler in his book <i>Waarom zou ik naar dekerkgaan?</i> &#91;Why    should I go to church?&#93;, answers the question by giving 21 reasons (Van    Ruler 1970). The South African theologian Dirkie Smit formulated eight functions    of liturgical ritual in South African contexts: subversion, liberation, community,    articulation, calling, formation, transformation and confirmation, commitment    (Smit 2004). We will show in this article that they are, to a certain degree,    correct.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In this article    we will show that the maxim of the uselessness of liturgical ritual has to be    nuanced. How and to what extend can useless liturgical ritual be called functional?    In spite of the common understanding of the essence of liturgical ritual as    useless, our understanding of the maxim began to prove little cracks, which    have widened in the course of time.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>Aims attributed    to worship in various contexts</b> </font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>The classical    reformed model</b></font></p>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The first crack    appeared when we reconsidered our Reformed background. The classical liturgical    model of the reformed tradition is purpose driven. The Catechism of Heidelberg    (HC) discusses the liturgy in the framework of the Fourth Commandment, identifies    it with the sermon and emphasises the education of the worshippers. The service    is primarily an exercise in faith that aims at steering clear of evil doing.<a name="top5"></a><a href="#back5"><sup>5</sup></a>    Liturgy is a lecture that draws the attention of the congregation to a life    of gratitude, which is characterised by doing good works. From a societal perspective    gratefulness is aimless, but this aimlessness is counterbalanced by good works.    The church service has a practical intention and aims at a change of behaviour    or, in other words, a praxis in accordance with (Reformed) Christian faith.    Further, liturgy has also a cognitive target, viz. 'a certain knowledge, whereby    I hold for truth all that God has revealed unto us in his word.'<a name="top6"></a><a href="#back6"><sup>6</sup></a>    The adverb 'cognitive' should not exclusively be interpreted as 'rational'.    The knowledge, which the liturgy aims at, is meaningless if not the Holy Spirit    alleviates the knowledge of the gospel to faith and trust in the grace of Jesus    Christ that in its turn results in Christian diaconal acting.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>Evangelical    worship</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The second crack    appeared as a result of the breaking through of evangelical and charismatic    streams in our churches and as a consequence also in its liturgical ritual.    This was a much broader crack than the first one. The American scholar Sally    Morgenthaler (1995:39), herself an evangelical, says: 'The true goal of evangelism    is to produce more and better worshippers.' The church service serves the 'praise    and worship' of God. Morgenthaler however is a critical voice in a movement    that she diagnoses as a 'Non-worship epidemic' (1995:50), in which churchgoers    are treated more as public than as participants. She typifies the Willow Creek    Seekers services as 'pre-evangelistic entertainment, a highly captivating, sixty    minute "informercial" for Christianity' (1995:47). Bethel M&uuml;ller (2008:63)    however emphasises that missional liturgy is not 'about legitimising the ideological    presuppositions embedded in every culture', but about 'transforming in the sense    of Romans 12:2f'.<a name="top7"></a><a href="#back7"><sup>7</sup></a></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Morgenthaler's    criticism is first and foremost an internal discussion amongst evangelicals,    that we do not want to assess, but which we understand when we read the typical    diptych of Rick Warren - the evangelical or Southern Baptist</font> <font face="Verdana, Arial, Helvetica, sans-serif" size="2">senior    pastor of the Saddleback (mega-) Church in California - <i>The Purpose Driven    Church</i> (1995) and <i>The Purpose Driven Life</i> (2002). Warren defends    entertainment as a function of the evangelical commission 'to attract the crowds'    (cf. Warren 1995:207-238) and says that to entertain does not mean anything    else than 'capturing and holding the attention for an extended period of time'    (Warren 1995:231). The purpose of especially seeker services is 'to specialise    your services according to their purpose.' This purpose depends on who the audiences    are, either 'unchurched friends' or 'believers' (Warren 1995:245). The goal    of the seeker services that Warren offers in his church is to reach unbelievers    for Christ, 'to be spiritually restored and emotionally recharged' (Warren 1995:272),    and ultimately, to create people who worship God (cf. Warren 1995:242). In summary,    for Warren the goal of worship is missionary and the method is to entertain    the 'unchurched' and to make them feel comfortable in church by all possible    means: parking places close to the building, people who guide them, comfortable    chairs, a music style that refers to what they daily hear, and a 'speed up'    pace and streaming flow in the entire service that reflect late-modern life.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Before discussing    the third and most elementary crack in the maxim of the uselessness of liturgy,    we want to weigh up the first two cracks. The classical Reformed tradition appears    to seek a careful balance between on the one hand the aimlessness of gratitude    and on the other hand the aim of behaviour transformation and the generation    of faith knowledge. This balance can easily be disturbed, as is seen in the    evangelical tradition and end up in an exaggerated functional understanding    of liturgy: a commercial-styled advertising of Christian faith. However, Morgenthaler    also formulates the aim of worship primarily in missionary terms. Warren adds    a psychological and spiritual aspect to this when he aims at spiritual restoration    and an emotional recharge. The evangelical movement appears to seek a balance    between mission and entertainment - mission being the necessary target of the    church in days of de-churching and entertainment the phenomenon that attracts    the crowds. We are reminded that also the 16th century Reformation sought a    missionary target of the church service: the sermon was exemplified as <i>'publice    docere', public</i> education <i>(CA</i> 14; conf. Calvin, <i>Inst.</i> IV.I.19).</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>Worship in the    context of poverty</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The third crack    in the maxim of the uselessness of liturgy has widened into a rift in the course    of time. It originated in the context of South Africa. Various observations    resulted in the hypothesis that the participation in Christian liturgical ritual    could contribute to the formation of social capital and, as a consequence, eventually    and indirectly in poverty alleviation. We became convinced, that worship in    the context of post-apartheid South Africa should aim at human flourishing (cf.    Pieterse 2001; Wepener <i>et al.</i> 2010; Wepener &amp; Cilliers 2004, 2010;    Wepener 2010a, 2010b). This case will be elaborated exemplarily further on in    this article (Section the case of liturgical ritual in Mlazi and Langa).</font></p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>Functions of    liturgical ritual</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The classical Reformed    emphasis on the generation of faith knowledge and transformation of behaviour    is understandable in its rooting in the time of the Reformation and against    the background of the Roman Catholic Church of those days. The missionary goal    of evangelical liturgy is explicable in a time of secularisation, mainly in    the Western world. In the context of post-apartheid South Africa, the goal of    liturgy may be defined in terms of social justice and human flourishing. Three    different liturgical forms that originated in three different societal and ecclesial    contexts and implicitly drive at three different goals have caused cracks and    rifts in our understanding of the maxim of the uselessness of liturgy. We will    see however, that in all cases liturgy is not meant to be <i>instrumental</i>    to achieve the specific goals, neither is the purpose-driven aspect of liturgical    ritual dominant in liturgical performances. In summary, the stories of the suitcase    at the airport and of the silver teaspoons have to be nuanced. We pose the thesis    that liturgical ritual is no function of whatever goal, but nevertheless serves    certain aims. We collect the following concrete and closely related aims from    the examples that we just gave. These aims are not meant to be normative and    exclusive, but heuristic values that we use in this article to build up some    theory concerning functional aspects of liturgical ritual:</font></p>     ]]></body>
<body><![CDATA[<blockquote>        <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">&nbsp;Liturgy      aims at a transformation of behaviour and at knowledge of the grace of God      as it is revealed in the life, death and resurrection of Jesus Christ. <i>Nota      bene:</i> this transformation and knowledge should not only be searched for      exclusively in the rational spectre, but are supposed to be found in the fields      of knowledge, skills and attitudes, experiences and affections (see also in      section the social-cultural function of liturgical ritual). Liturgical-ritual      knowledge often is bodily-based.</font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">&nbsp;The liturgical      ritual aims at the well-being and also welfare of its participants, in short,      aims at human flourishing.</font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">&nbsp;Liturgy      aims at creating worshippers.</font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">&nbsp;The church      service aims at being inviting and public.</font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">&nbsp;Worship      should be spiritually restoring and emotionally recharging.</font></p> </blockquote>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">These aims bring    us to the dimensions of religion.</font></p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>The aims of    liturgical ritual refer to different dimensions of religion</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Overseeing this    short list of aims attributed to liturgical ritual, it is obvious that the formulated    aims are different in shape. They refer to different dimensions of religion    as a whole.Glock and Smart (cf. Auffahrt &amp; Mohr 2006:1611) discern six dimensions    of religion: the intellectual/ideological/ cognitive dimension, the dimension    of social ethics, the ritual dimension, the institutional, the aesthetic and    the psychic dimensions. The aims attributed to performing worship as we deduced    them from our cases, can be distributed over some of these six dimensions. In    other words, the ritual dimension of religion includes aspects of the other    dimensions that the six facets of Glock and Smart partly cover (Auffahrt &amp;    Mohr 2006:1611).</font></p>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">To acquire knowledge    of God's grace is amongst other things a cognitive aim. The transformation of    behaviour refers to a social-ethical objective. The aiming of liturgy at human    flourishing refers to the social-ethical dimensions of religion as well. To    be a worshipper is primarily an aesthetical aim, although this aim cannot be    seen independently of cognitive and ethical targets. Still, to be a worshipper    asks for some capabilities in singing and perhaps also in dancing, that is,    asks for musical and bodily skills. The quest of liturgy to be inviting may    refer to different dimensions of religion, viz. the facet of social ethics but    also the cognitive or ideological aspect. The pursuit of a spiritually restoring    and emotionally recharging liturgy refers mainly to the psychological domain.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In conclusion,    liturgical ritual bears traces of the ideological or cognitive, social-ethical,    aesthetical and psychological qualities of religion and has functional purposes    with regard to these domains. Liturgical-ritual functions concern the truth,    the good and the beautiful, as well as the human mind. On these fields liturgy    is not completely useless, but serves certain aims. We will highlight this in    the rest of this article by focussing on the socio-cultural function of liturgical    ritual.</font></p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>The social-cultural    function of liturgical ritual<a name="top8"></a><a href="#back8"><sup>8</sup></a></b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">We will focus now    on the social ethical aspect of liturgy, referring to the third example that    we presented, namely religious ritual and social capital formation. We developed    the hypothesis that religious ritual helps to generate social capital; this    hypothesis starts from a social-cultural perspective of religion as a whole,    pushing other aspects into the background. We are well aware that this is a    reduction. We are at the same time convinced that the social-ethical dimension    of liturgy is part of the kernel of Christian liturgy: the theological concept    of <i>koinonia,</i> community, clearly has a social dimension (cf. Brouwer 2009).    In short, religion is in our research primarily defined as a 'social pattern    for act and attitude', or, with Clifford Geertz (cf. Auffahrt &amp; Mohr 2006:1614,    1612), as 'a cultural text'.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Platvoet (2007:197)    rightly says that the social and psychological functions of ritual may not be    identified with functionalism. When we speak of functions of ritual, we do not    mean that every liturgical meeting should be directly relevant, but that liturgical    ritual has an ambiguous relation to the social order and, as a consequence,    may be able to contribute - in a positive or in a negative way - to social capital    formation. To analyse these functions, it is helpful to distinguish different    aspects of qualities of ritual.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Cilliers and Wepener    (2007:47-54) have suggested that several dimensions, qualities and processes    of liturgical ritual indeed contribute to the formation of social capital. They    accurately refer to a much-cited page in Ronald L. Grimes'</font> <font face="Verdana, Arial, Helvetica, sans-serif" size="2"><i>Ritual    Criticism</i> (1990:14). The page holds a table of so-called qualities of ritual.    Qualities are aspects, characteristics or dimensions of ritual. They are definitively    not meant as definitions, but indeed as characteristics that in their extensiveness    are more complete than any definition, and that each alone are not unique to    ritual. 'When these qualities begin to multiply, when an activity becomes dense    with them, it becomes increasingly proper to speak of it as ritualised, if not    a rite as such' (Grimes 1990:14).<a name="top9"></a><a href="#back9"><sup>9</sup></a>    Thus, activities are more or less ritualised, or can eventually be called rites.    It is here not the place to list all of Grimes' qualities, but we limit the    catalogue to those that refer to, either positively or negatively, functional    characteristics. We quote:</font></p>     <blockquote>        <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">&nbsp;symbolic,      referential (not merely technological or primarily means-oriented)</font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">&nbsp;mystical,      transcendent, religious, cosmic (not secular of merely empirical)</font></p>       ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">&nbsp;adaptive,      functional (not obsessional, neurotic, dysfunctional). (Grimes 1990:14)</font></p> </blockquote>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The symbolic and    referential on the one hand and the technological and means-end oriented on    the other hand are opposed in this scheme. Liturgical rite is not open to only    one singular well-defined goal and one singular meaning, but it is open to interpretations    in which other domains come into view in a way that is beyond control and cannot    be steered. The rite is no technique with which specific predestined goals can    be attained. An empirical approach is therefore insufficient to let the ritual    'work'; performing rites asks for poetic and/or religious attitudes. It demands    artistic, aesthetical skills as well, in short, openness to the transcendent    and the mystical. However, ritual has to be adaptive and functional. We understand    that as suitable for this or that person or group of persons, in this or that    particular situation, geographically, historically, ecologically, genetically,    economically and physiologically. Otherwise, it is 'unhealthy', or, 'to repeat    Grimes' list of mental disorders, 'obsessional, neurotic or dysfunctional'.    One description of the ritual of Holy Supper in the Dutch Reformed Church in    South Africa during apartheid, may serve as an example of a rite that was not    adaptive and functional, and as a consequence, unhealthy (cf. Wepener 2002).</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Referring to Grimes'    table, Cilliers and Wepener (2007:47-53) sum up the following elements of liturgical    ritual that contribute to social capital formation:</font></p>     <blockquote>        <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">&nbsp;liturgical      ritual generates and stimulates a sense of belonging and relationships of      trust</font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">&nbsp;liturgy      helps to develop skills (viz. &#91;musical&#93; performing skills, skills      to participate in and chair a meeting)</font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">&nbsp;liturgical      ritual may create an awareness of material needs or develop a critical attitude      toward the cause of poverty of the participants</font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">&nbsp;liturgical      ritual produces collaborative opportunities to further real transformation.</font></p> </blockquote>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">At this stage it    is necessary to illustrate our argument by means of ritual data from the South    African context. In this</font> <font face="Verdana, Arial, Helvetica, sans-serif" size="2">regard    we focus on an African Independent Church (AIC) worship service in Mlazi, Durban    as well as liturgical rituals related to a funeral in a Uniting Reformed Church    in Langa, Cape Town.</font></p>     <p>&nbsp;</p>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>The case of    liturgical ritual in Mlazi and Langa</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In this section    ritual data will be presented which will illustrate and substantiate our line    of argumentation by focussing on the third example mentioned, namely worship    in the context of poverty and therefore as such on the social-ethical dimension    of liturgical ritual. Firstly we present in bullet format a brief description    of an annual AIC worship service called the <i>Isitisha,</i> documented by means    of participatory observation in Mlazi at the end of October 2010 and secondly    a description of funeral rituals as performed by members of Reformed churches    in Langa documented during field work in that area mid-2003. Thereafter some    concluding remarks will be made.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b><i>Isitshisa,</i>    Mlazi, Durban, KwaZulu-Natal</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The so-called <i>Isitshisa</i>    is an annual worship service of the Corinthian Church of South Africa. Once    a year this specific AIC's congregations gather to celebrate this service as    their founder, Johannes Richmond, has commanded them to do. In essence the service    consists of the following features:<a name="top10"></a><a href="#back10"><sup>10</sup></a></font></p>     <blockquote>        <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">&nbsp;Participants      gather on the last Saturday evening of October for an all-night service.</font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">&nbsp;One by      one as they arrive from various parts of South Africa, congregations dance      into the church, bringing money to the table and food that is stored in a      room next to the stage in front.</font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">&nbsp;When all      have arrived various initiation rites occur, for example, new members of women's      leagues are initiated.</font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">&nbsp;Starting      in the early hours of the morning several sheep get slaughtered and the meat      cooked.</font></p>       <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">&nbsp;As a climax      of the service during the early hours of the morning, a calf is sacrificed.      First an altar of rocks is built upon which large pieces of wood are laid,      a fire is lit, the heifer's throat slit and thereafter burnt.</font></p>       ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">&nbsp;After      the burnt offering a bus full of poor blind people arrive. They share the      meal that was cooked with the Corinthians and thereafter the money and the      food that was brought to the service, is donated to the visitors by this denomination.</font></p> </blockquote>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>Langa, Cape    Town, Western Cape</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">From Mlazi in KwaZulu-Natal    we move to the South of the country and specifically the oldest township of    Cape Town, called Langa where we also conducted participatory observation regarding    rituals.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">It was a Saturday    morning in Langa.<a name="top11"></a><a href="#back11"><sup>11</sup></a> People    were starting to arrive at the funeral service of the wife of one of the elder's    of a Xhosa-speaking Reformed congregation. Actually the ceremony or liturgy    had already started the previous evening with a prayer service and the men slaughtering    the sheep and the women starting to prepare food. In the week preceding the    funeral, the deceased's husband also collected money from friends and family    to pay for the funeral, even the researcher doing liturgical fieldwork was told    exactly how much he owed.<a name="top12"></a><a href="#back12"><sup>12</sup></a>    Meanwhile, whilst the preparation of the food continued in the church hall,    in the church itself an organ was playing well known Reformed melodies apt for    a funeral service in this worship space which was in a typical Western-style    church building, slowly filling up with hundreds of people.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The funeral service    itself included much hymn singing, a very long sermon and several eulogies about    the deceased that continued for several hours. After the funeral service the    procession moved to the graveyard and thereafter everyone was invited to a meal    at the church consisting of rice and mutton stew. In Xhosa tradition the tombstone    will only be revealed at a later stage in another ceremony, so the communal    meal concluded the day's proceedings. For the direct family of the deceased    there were still several rituals that would follow this funeral service in the    weeks to come. Two of these included 'to drink water' and 'the washing of the    pick axes' which are the main foci of our description in this article.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The former ritual,    also called 'the Feast of Amanzi (water)' is conducted the day after the funeral.    For this ritual a sheep must be bought and slaughtered for use on this particular    Sunday after the funeral service especially, just for the immediate family.    According to members from this specific congregation, in Xhosa culture when    a person has had a big fright they give him water to drink.<a name="top13"></a><a href="#back13"><sup>13</sup></a>    The name of this ritual is thus symbolic, in the sense that it is aimed at 'calming'    (comforting) the family after the 'fright' (death of the mother) they got. And    the main part of this ritual is the eating of the meat of the freshly slaughtered    sheep together as a family. According to the deceased's husband this ritual    is extremely important for the family to once again take hands after they have    been weakened as a group by the passing away of the mother and this ritual meal    serves the purpose of strengthening these damaged group ties.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The second ritual    is conducted several weeks later and the name is once again a symbolic reference    and not a literal washing of pick axes. The 'mud' (death) that is still 'sticking'    to the pick axes that were used to dig the grave must be washed away. If this    is not done this mud, that is still clinging to the pick axes, will make the    people in that family and community die soon. The ritual of the 'washing of    the pick axes' includes a feast for which a large amount of traditional beer    (umqombothi) is brewed and the whole community is invited. Where the first ritual    of eating, only the immediate</font> <font face="Verdana, Arial, Helvetica, sans-serif" size="2">family    took part, this ritual of drinking is for the family and the local community.<a name="top14"></a><a href="#back14"><sup>14</sup></a></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Except for the    unveiling of the tombstone that will still be performed at a later stage, this    concludes the performance of rituals related to this person's death in Langa.    However, although the people are already performing these rituals, there is    also a geographical 'not yet' present, pertaining to land of their ancestors    where they long to perform their rituals. To quote one of the Xhosa ministers    of this congregation regarding the performance of their rituals in Langa:</font></p>     <blockquote>        <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Yes, we perform      all our rituals here in the township, but one day, one day when we get the      land of our ancestors in Eastern Cape back by means of our land claims, then      and there we will be performing the real rituals. (Unknown Xhosa minister)</font></p> </blockquote>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>Some provisional    conclusions from the case of liturgical ritual in Mlazi and Langa</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Do these rituals    have functional qualities, viz., do they attribute to social capital building?    Do the rituals aim at human flourishing in general and the well-being and welfare    of its participants? We briefly summarise some of our conclusions. The first    three are from an emic point of view, the last two from an etic perspective.<a name="top15"></a><a href="#back15"><sup>15</sup></a></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Firstly, according    to an <i>emic</i> point of view misfortune, illness and unemployment have spiritual    causations. Generally spoken, liturgical rituals are a direct way of coping    with the spirits, and there is a strong sense of the rituals' mechanical way    of working.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Secondly, according    to the <i>emic</i> perspective, the church and the family play a major role    in the high self-esteem of people. It is the church that gives them healing,    friendship, assistance and support if they are in need.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Thirdly, from an    <i>emic</i> point of view, AICs have an empowering function for 'poor' people.    They can come into AICs and become important within the congregations through    the responsibilities that they are given. In the observed and described liturgical    rituals we clearly see the phenomenon of role taking: ministers, secretaries,    musicians and lectors are not professionally trained or only in a very limited    way. They receive their training mainly in church.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Fourthly, we can    point to some directly functional aspects of the observed and described liturgical    rituals. The aim of the Feast of Amanzi in Langa is clearly to strengthen the    group ties that were weakened by the death of a family member. The same holds    for the ritual of the washing of the pick axes. It reconnects people to the    community, especially the people directly affected by the passing away of a    loved one. Also the yearly <i>Isitshisa</i> (or burning of the heifer) festival    has some</font> <font face="Verdana, Arial, Helvetica, sans-serif" size="2">direct    functional elements in it. It is performed to re-establish solidarity in a broad    sense, that is, including friendliness, brotherhood, et cetera. The emphasis    on brotherhood or friendship must be evaluated from the perspective of African    world views and values that stress the importance of the extended family. Hence,    here the interface of religion and culture is strong. The festival is about    offering, and the diaconal element of the festival - giving to the blind - is    meant to spread over the whole area in which the church is active. People establish    and re-establish their structures at the festivals. From the perspective of    social capital formation the role of the general secretary is also important:    he makes the infrastructure and - to say it in a modern way - monitors, together    with the local secretaries, the process of solidarity in the entire church.    Healing and directly functional aspects of liturgical ritual can be called <i>'formal</i>    functions' of ritual: 'risk management', according to G&uuml;nter Thomas. Moreover,    there also are <i>'final</i> functions' that confirm or undermine the established    order. Often, these final functions are beyond the knowledge and control of    the participants (Thomas 2006:341).</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Fifthly, in this    respect one can critically introduce the standard question regarding a functional    approach to religious ritual: does the ritual not confirm and re-establish societal    and global structures in which the poor are being confirmed in being poor? In    other words, does the liturgical ritual not reproduce injustice and insincerity?    Or, to put it another way, how critical are the rituals with regard to the status    quo? The blind people who are invited to the festival of the Burning of the    Heifer called the <i>Isitshisa -</i> a phenomenon that has existed since the    fifties of the last century; the founder ordered so in his last days, receive    donations in the form of food that is brought into the festive liturgical ritual    from all congregations.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The exemplary rite    of donation focuses on the blind, because they were and are seen as marginalised    people. According to our interviewees, members of the church spiritually connect    to the people in need in this way. One can ask however, whether this does not    reconfirm the blind as marginalised people every year. In the fifties the blind    were selected as a marginalised group that received aid from the church at the    <i>Isitshisa</i> (or Burning of the Heifer) festival. But who wants to be staged    as icon of marginalised people year after year? Does the festival unintentionally    reaffirm societal injustice, instead of alleviating poverty? Or has the position    of the blind in Africa simply not changed over the last sixty years?</font></p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>In conclusion</b></font></p>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">We posed that the    maxim of the uselessness of liturgical ritual has to be nuanced. The question    to be answered was: how and to what extend can liturgical ritual be called functional?    Liturgical ritual is pointless, 'juggling with clouds', like a play. Worship    has its aim in itself. That does not mean that it has no functional qualities.    This holds in the first place for the liturgical ritual as a whole. Admittedly    some scholars may come to different conclusions than we do in this regard, therefore    we lastly and shortly elaborate on the epistemological basis underlying our    approach within the field of Liturgical and Ritual Studies.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Based on her liturgical    musical ethnographic research in African-American worship contexts in the United    States of America (USA), Mary McGann (2010:94-95) concludes that this specific    tradition is based on a 'functional aesthetic that assumes that music is meant    to <i>do</i> something - to move, to touch, to heal; and that herein lies its    meaningfulness.' This also holds true for the liturgical ethnographic work that    is currently conducted in the framework of the NRF project on religious rituals    and social capital formation. Worship has a formative power in shaping believers,    more specifically Christian believers, because it evokes and expresses basic    attitudes that enable faith. Worship is the learning environment in which we    become Christians through the power of ritual. The language of liturgical-ritual    is primarily 'performing non-cognitive' (Astley 1984). Only within the spiritual    implicit learning milieu of worship, more explicit cognitive knowledge can be    communicated. But in order to be able to come to this conclusion that attempts    to broaden the traditional view of the exclusively non-functional nature of    all liturgical-ritual, a fundamental difference regarding the epistemological    basis for approaching the phenomenon of liturgical ritual in the context of    research was needed.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Theodore Jennings    Jnr (1996) writes in his well known article entitled 'On Ritual Knowledge' that    when one approaches ritual scientifically a ritually based epistemology is needed.    This is so because according to him ritual serves a noetic function and the    functional qualities of ritual that are indeed implicit in liturgical ritual,    function on the level of intuitive thinking. To quote Jennings (1996:327): 'It    is not so much that mind "embodies" itself, but rather that the body "minds"    itself or attends through itself in ritual action.' And if this is the epistemological    basis on which the phenomenon is approached then it should have a huge impact    on the research methodology. Then firstly a study of the fully enacted ritual    in its multiple contexts is imperative and methods such as participatory observation    or, as in the case of McGann's liturgical musical ethnography, are non-negotiable    and can scholars, who observe liturgical ritual in a non-participatory fashion    not come to the same conclusions about the functional dimensions of liturgical    ritual as scholars who do adhere to this more corporeal bodily-based epistemology.    Reading about <i>Isitshisa</i> in a textbook is one thing, but participating    in this event is quite another.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Walking around    during the service talking to participants who exclaim 'I cannot explain in    words how I feel about being in this place tonight' and another saying 'what    I experience here in Mlazi I take back to Phepheni, to the members who could    not come'<a name="top16"></a><a href="#back16"><sup>16</sup></a> is quite another    experience, let alone how your own body is 'minding itself' around 3 o'clock    in the morning in Mlazi whilst numerous horns are blowing, drums are beating,    people are singing and dancing and</font> <font face="Verdana, Arial, Helvetica, sans-serif" size="2">many    sheep are being slaughtered. Where is the meaning of a worship service such    as this one to be placed? Can we speak of a meaning that can, in a systematic    theological fashion, be explained? Or do we work here with a dynamic meaning-making    process which is constantly in flux, in which the meaning of liturgical ritual    constantly oscillates between the ebb and flow of functional and non-functional    qualities?</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Some functional    aspects of liturgical ritual that we deduced from our observations of classical    reformed liturgy, evangelical worship and worship in the context of poverty    in South Africa appeared to refer to qualities of religion as they were formulated    by Glock and Smart (cf. Auffahrt &amp; Mohr 2006:1611). These are the intellectual/ideological/cognitive,    the social-ethical, aesthetical and psychological qualities. In our terms, functional    aspects of liturgical ritual refer to the classical triad of the true, the good    and the beautiful, as well as the human mind. In summary, functional aspects    of liturgical ritual refer to the entire act of worship and to its participants.    Different denominational groups emphasise different aspects, but all within    the framework of an implicit spiritual learning environment. In functional terms    we can say that ritual has a pedagogical nature, because as Jennings (cf. 1996:324-334)    puts it, ritual is a way of gaining, transmitting and displaying knowledge.    Although liturgical ritual often seems unchanging at closer look there are always    slight changes. These changes are signs of ritual's way of searching for knowledge    by means of performance. At the same time much of liturgical ritual stays the    same, because of its repetitive nature, and here lies part of the way in which    ritual transmits knowledge. And lastly in the performance there is also the    display of knowledge, for example how some rituals in a sense 'repeat the act    which founds the world' and which Jennings calls an 'ontological praxis'. In    order to explain this Jennings (1996:327) quotes Van der Leeuw who quotes Lucian,    and it is here again quoted in this article to once again attempt to formulate    an argument regarding liturgical ritual to a non-participatory rationally inclined    reading audience: 'He who does not dance does not know what will happen.'</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">In this article    we have focussed on the social-ethical functions of liturgical ritual, taking    worship in a context of poverty in South Africa as exemplarily. As researchers    we want to know how worship is related to this context, whilst we suppose that    participating in worship by worshippers helps to alleviate poverty. We further    hope that the research itself will have an emancipatory effect on the research    field. This is confirmed by first research results. The often costly and quite    elaborate African funeral tradition is sometimes criticised in contexts of poverty,    because of the huge cost implications of these ceremonies. The description of    the various liturgical rituals performed during a funeral service and thereafter    in Langa prompts us to look at the value of these rituals not only from a perspective    involving financial expenditure in the traditional sense of the word, but maybe    rather from a social-capital perspective. How much is the bonding and bridging    that occurs during and after the funeral worth in monetary terms? And is the    description of these rituals not pointing towards the social dimension of ritual    that has indeed some functional qualities embedded in it? It appeared helpful    to direct our attention to some specific qualities of liturgical ritual.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Some of the aspects    of ritual that Ronald Grimes lists are important markers in the research project.    The symbolic or referential and the mystical or transcendental aspects warn    us not to see liturgical ritual as an instrument to attain specific social goals.    The adaptive or functional quality helps us to reconstruct the cultural and    anthropological rooting of the ritual and relates positively with the social    function of worship. Rituals have virtually numerous qualities, and the result    of academic research of social functions of liturgical ritual is therefore not    unequivocal; it is and stays ambivalent and ambiguous. Worship has a performative    power. Its functional aspects refer to specific aspects of religion. Some of    the many qualities of liturgical ritual point to social ethical ends. The image    as a whole is ambivalent and not unequivocal. We definitively have moved beyond    the times of big theories, viz. functionalism. Liturgical ritual studies primarily    result in carefully elaborated ideographies, and less in nomotheses. Such ideographies    however presuppose a particular kind of research methodology, which in turn    is based on an epistemology as proposed by Jennings and McGann.</font></p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>Acknowledgements</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>Competing interest</b></font></p>     ]]></body>
<body><![CDATA[<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The authors declare    that they have no financial or personal relationship(s) which may have inappropriately    influenced them in writing this article.</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b>Authors' contributions</b></font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">The largest section    of the article was drafted by M.B. (University of Pretoria), except for the    descriptions of the cases of liturgical ritual in Mlazi and Langa and certain    parts of the theory on ritual, which were drafted by C.W. (University of Pretoria).    The authors discussed the draft thoroughly, after which it was reworked by the    first author.</font></p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>References</b></font></p>     <!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Astley, J., 1984,    'The role of worship in Christian learning', <i>Religious Education</i> 79(3),    243-251. <a href="http://dx.doi.org/10.1080/0034408400790208" target="_blank">http://dx.doi.org/10.1080/0034408400790208</a></font>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[&#160;<a href="javascript:void(0);" onclick="javascript: window.open('/scielo.php?script=sci_nlinks&ref=134890&pid=S0259-9422201200020001100001&lng=','','width=640,height=500,resizable=yes,scrollbars=1,menubar=yes,');">Links</a>&#160;]<!-- end-ref --><!-- ref --><p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Auffahrt, C. &amp;    Mohr, H., 2006, 'Religion', in K. 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Theoretical and methodological points of departure    of a South African exploration in progress', <i>Religion &amp; Theology</i>    17(1/2), 61-82. <a href="http://dx.doi.org/10.1163/157430110X517924" target="_blank">http://dx.doi.org/10.1163/157430110X517924</a></font>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[&#160;<a href="javascript:void(0);" onclick="javascript: window.open('/scielo.php?script=sci_nlinks&ref=134929&pid=S0259-9422201200020001100039&lng=','','width=640,height=500,resizable=yes,scrollbars=1,menubar=yes,');">Links</a>&#160;]<!-- end-ref --><p>&nbsp;</p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><b><a name="back"></a><a href="#top"><img src="/img/revistas/hts/v68n2/seta.jpg" border="0"></a>    Correspondence to:    <br>   </b> Marcel Barnard    <br>   Email:<a href="mailto:mbarnard@pthu.nl">mbarnard@pthu.nl</a>    ]]></body>
<body><![CDATA[<br>   Postbus 80105, 3508TC Utrecht, the Netherlands</font></p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Received: 10 Oct.    2011    <br>   Accepted: 27 Feb. 2012    <br>   Published: 18 July 2012</font></p>     <p>&nbsp;</p>     <p>&nbsp;</p>     <p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">&copy; 2012. The    Authors. Licensee: AOSIS OpenJournals. This work is licensed under the Creative    Commons Attribution License.    <br>   <b>Note:</b> Prof. Dr Marcel Barnard is participating as research associate    of Prof. Dr Cas Wepener, Department of Practical Theology, University of Pretoria,    South Africa. He is professor extraordinary in the Department of Practical Theology,    University of Stellenbosch.    <br>   This article is published in the section Practical Theology of the Society for    Practical Theology inSouth Africa.    <br>   <a name="back1"></a><a href="#top1">1</a>.This material is based upon work supported    by the South African National Research Foundation (NRF) under Grant number 73974.    Any opinion, findings and conclusions or recommendations expressed in this material    are those of the author and therefore the NRF does not accept any liability    in regard thereto.    ]]></body>
<body><![CDATA[<br>   <a name="back2"></a><a href="#top2">2</a>.Cf. also Sonnenberg and Barnard (2012)    where the same theme is elaborated on, but with specific reference to youth    worship.    <br>   <a name="back3"></a><a href="#top3">3</a>.For a general outline of the project    see Wepener <i>et al.</i> (2010:61-82).    <br>   <a name="back4"></a><a href="#top4">4</a>.We mean 'maxim' in the sense of Immanuel    Kant in his <i>Kritik der reinen Vernunft</i> (1787:694) 'Ich nenne alle subjektiven    Grunds&aacute;tze, die nicht von der Beschaffenheit des Objekts, sondern dem    Interesse der Vernunft, in Ansehung einer gewissen m&ouml;glichen Vollkommenheit    der Erkenntnis dieses Objekt, hergenommen sind, Maximen der Vernunft. So gibt    es Maximen der spekulativen Vernunft, die lediglich auf dem spekulativen Interesse    derselben beruhen, ob es zwar scheinen mag, sie w&aacute;ren objektive Prinzipien.'    <br>   <i><a name="back5"></a><a href="#top5">5</a>.HC,</i> S. 38, Q. 103.</font>    <br>   <font face="Verdana, Arial, Helvetica, sans-serif" size="2"><i><a name="back6"></a><a href="#top6">6</a>.HC,</i>    S.7, Q. 21.    <br>   <a name="back7"></a><a href="#top7">7</a>.Compare in this regard also Wepener    (2008:206-219).    <br>   <a name="back8"></a><a href="#top8">8</a>.The sections the social-cultural function    of liturgical ritual and the case of liturgical ritual in Mlazi and Langa of    this article will be more elaborated. They will be included in Marcel Barnard,    Henry Mbaya, Cas Wepener, 'Blessing, Burning and Burying. Social Capital Formation    in Churches in South Africa', accepted, in W. Gr&aacute;b <i>et al.</i> (eds.),    title not yet known, LIT Verlag, Zurich/Berlin, forthcoming.    <br>   <a name="back9"></a><a href="#top9">9</a>.At the beginning of the 21st century,    when 'emerging rituals' became a topic in Ritual Studies, Grimes added the notion    of 'ritualizing' as 'the activity of deliberately cultivating or inventing rites'    to his conceptual registers (cf. Grimes 2000:29).    <br>   <a name="back10"></a><a href="#top10">10</a>.For a more detailed description    of this service, see Mbaya (2011).    <br>   <a name="back11"></a></font><a href="#top11"><font face="Verdana, Arial, Helvetica, sans-serif" size="2">11</font></a><font face="Verdana, Arial, Helvetica, sans-serif" size="2">.Description    taken from Wepener (2004:527), who also performed the participatory observation.    ]]></body>
<body><![CDATA[<br>   <a name="back12"></a><a href="#top12">12</a>.When you are told, not asked, you    know you have moved from observation to participatory observation.</font>    <br>   <font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a name="back13"></a><a href="#top13">13</a>.In    some other cultures known to the authors, it is sugar water that is given to    calm the person down.    <br>   <a name="back14"></a><a href="#top14">14</a>.Members of the Corinthian Church    indicated during our fieldwork, that they also perform these two rituals.    <br>   <a name="back15"></a><a href="#top15">15</a>.'Emic and etic distinguish the    understanding of cultural representations from the point of view of a native    of the culture (emic) from the understanding of cultural representations from    the point of view of an outside observer of the culture (etic)' - Michael Rhum,    'emic and etic' see Barfield (1997:148). The authors of this article are aware    of the sensitivities that the notion of 'native' in the context of South Africa    can evoke.    <br>   <a name="back16"></a><a href="#top16">16</a>.Quotations taken from informal    interviews conducted during the service, Mlazi, October 2010.</font></p>      ]]></body>
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