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| · Discursive cuts, receptive wounds: notes on the reception of Inxeba/The Wound Strydom, Wemar
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| · Contextualisation, part 1: Queer cinema and the global Marshall, Bill
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| · A sex-critical reading of the homosexual sex acts depicted in Inxeba du Plessis, Rory
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| · Interrogating conceptions of manhood, sexuality and cultural identity Kumalo, Siseko H; Gama, Lindokuhle
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| · On Oyèrónké Oyèwùmí, colonial Afro-masculinities and the subjection of African cultural praxis in Inxeba Moraka, Rantsho A
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| · Layers of woundedness in Inxeba: masculinities disrupted, denied and defamed Kiguwa, Peace; Siswana, Anele
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| · Identity in interaction: sub-cultural intersubjectivities in popular radio conversation on Inxeba Kukard, Dylan; van Rensburg, Richard
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| · "What is it to be a man?" Rites, hashtags, outrage Manona, Lungelo; Hurst, Andrea
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| · 'Shame, Seething, Basic Shame... It's all About the Cock': reading Nakhane Touré's Piggy boy's blues (2015) after Inxeba Sixam, Katlehiso
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| · Coda: 2018, Still struggling with a pair of shoes bought in 1996? Gumede, S'nothile
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| · To Make See and to Let Die: photography and testimony Racy, Gustavo
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| · Minna Keene: a neglected pioneer Corrigall, Malcolm
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| · Black mirrors and zombies: the antinomy of distance in participatory spectatorship of smart phones Raubenheimer, Landi
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| · In/On the Bones: species meanings and the racialising discourse of animality in the Homo naledi controversy de Robillard, Benita
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| · The becoming-flower of video games: a Deleuzoguattarian analysis of Thatgamecompany's Flower (2009) du Plessis, Corné
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