 Editorial |
| | |
| | · On variety and tolerance
Snyman, Gerrie F.
|
| | |
| Retraction Notice |
| | |
| | · Retraction Notice
|
| | |
| Articles |
| | |
| | · What is he doing at the gate? Understanding Proverbs 31:23 and its implications for responsible manhood in the context of African societies
Biwul, Joel Kamsen Tihitshak
|
| | |
| | · True happiness in the presence of YHWH: The literary and theological context for understanding Psalm 16
Botha, Phil J.
|
| | |
| | · Philosophical criticism of the Hebrew Bible and the Analytic-Continental divide
Gericke, Jaco W.
|
| | |
| | · Mothers and their children as victims in war: Amos 1:13 against the background of the Ancient Near East
Kruger, Paul A.
|
| | |
| | · Daniel at the beauty pageant and Esther in the lion's den: Literary Intertextuality and Shared Motifs between the Books of Daniel and Esther
Michael, Matthew
|
| | |
| | · Mind the working-class people! An African reading of Leviticus 25:8-55 with Latino/a critical tools
Mtshiselwa, Ndikho
|
| | |
| | · Psalm 73 and the book of Qoheleth
Spangenberg, Izak (Sakkie) J. J.
|
| | |
| | · Reimagining a solitary landscape: Tracing communities of care in Exodus 1-2 and the film Shirley Adams
van der Walt, Charlene; Terblanche, Judith
|
| | |
| | · „Gelobt sei der Herr, mein Fels ...! " (Ps 144,1) Wirkung und Bedeutung von Psalm 18 (// 2 Samuel 22) im Nachfeld des Psalters
Weber, Beat
|
| | |
| | · Le rôle du Cantique d'Isaïe 12 dans la Rédaction du Livre d'Isaïe, en relation au Psautier et Cantiques
Gosse, Bernard
|
| | |
| Book Reviews |
| | |
| | · Akhenaten and the origins of monotheism
Kilchör, Benjamin
|
| | |
| | · Flights of the soul: Visions, heavenly journeys, and peak experiences in the biblical world
Stenschke, Christoph
|
| | |
| | · Die Gebete der Propheten. Anrufungen Gottes im ,corpus propheticum' der Hebräischen Bibel (Beihefte zur Zeitschrift für die alttestamentliche Wissenschaft 451)
Weber, Beat
|
| | |
| | · The Book of Psalms
Wendland, Ernst R.
|
| | |
Todo el contenido de esta revista, excepto dónde está identificado, está bajo una Licencia Creative Commons
pdf