SciELO - Scientific Electronic Library Online

 
vol.42 número1Post-imperial imaginaries in Zimbabwe: Interrogating betrayal in the pre- and post-war years in Chinodya's Harvest of Thorns and Child of War índice de autoresíndice de materiabúsqueda de artículos
Home Pagelista alfabética de revistas  

Servicios Personalizados

Articulo

Indicadores

Links relacionados

  • En proceso de indezaciónCitado por Google
  • En proceso de indezaciónSimilares en Google

Compartir


Literator (Potchefstroom. Online)

versión On-line ISSN 2219-8237
versión impresa ISSN 0258-2279

Resumen

NEL, Adéle. 'Why not follow our words bodily into the future tense?': Life, death and posthuman bodies in Don DeLillo's Zero K. Literator [online]. 2021, vol.42, n.1, pp.1-10. ISSN 2219-8237.  http://dx.doi.org/10.4102/lit.v42i1.1748.

The overarching problem foregrounded by the novel is how human mortality should be treated in the face of the inexorability of death, as well as the human desire for immortality. From the investigation of the role that the human body and self and life and death play in Zero K, it is evident that there is, in fact, evidence of a posthumanist framework: from technological practices (the body and cryonic freezing) and ethics (Zero K and Ross's decision), to aesthetics (ways of seeing and the role of art). The aim of this article is to read Don DeLillo's Zero K within the framework of the posthuman, specifically focusing on the following central aspects of the novel: the role of the human body and the concept of the posthuman; the relationship between the self, the body and language; death and the challenges of posthumanism; and the relationship between ways of seeing, art and death. The starting point is to explore how the literature, particularly fiction, creates a richer and more complex notion of the contexts and issues arising from the idea of the posthuman and/or new human.

Palabras clave : Zero K; Don DeLillo; life or death; posthumanism; posthuman bodies; body and language; art; ways of seeing.

        · texto en Inglés     · Inglés ( pdf )

 

Creative Commons License Todo el contenido de esta revista, excepto dónde está identificado, está bajo una Licencia Creative Commons