SciELO - Scientific Electronic Library Online

 
vol.42 issue1Post-imperial imaginaries in Zimbabwe: Interrogating betrayal in the pre- and post-war years in Chinodya's Harvest of Thorns and Child of War author indexsubject indexarticles search
Home Pagealphabetic serial listing  

Services on Demand

Article

Indicators

Related links

  • On index processCited by Google
  • On index processSimilars in Google

Share


Literator (Potchefstroom. Online)

On-line version ISSN 2219-8237
Print version ISSN 0258-2279

Abstract

NEL, Adéle. 'Why not follow our words bodily into the future tense?': Life, death and posthuman bodies in Don DeLillo's Zero K. Literator [online]. 2021, vol.42, n.1, pp.1-10. ISSN 2219-8237.  http://dx.doi.org/10.4102/lit.v42i1.1748.

The overarching problem foregrounded by the novel is how human mortality should be treated in the face of the inexorability of death, as well as the human desire for immortality. From the investigation of the role that the human body and self and life and death play in Zero K, it is evident that there is, in fact, evidence of a posthumanist framework: from technological practices (the body and cryonic freezing) and ethics (Zero K and Ross's decision), to aesthetics (ways of seeing and the role of art). The aim of this article is to read Don DeLillo's Zero K within the framework of the posthuman, specifically focusing on the following central aspects of the novel: the role of the human body and the concept of the posthuman; the relationship between the self, the body and language; death and the challenges of posthumanism; and the relationship between ways of seeing, art and death. The starting point is to explore how the literature, particularly fiction, creates a richer and more complex notion of the contexts and issues arising from the idea of the posthuman and/or new human.

Keywords : Zero K; Don DeLillo; life or death; posthumanism; posthuman bodies; body and language; art; ways of seeing.

        · text in English     · English ( pdf )

 

Creative Commons License All the contents of this journal, except where otherwise noted, is licensed under a Creative Commons Attribution License