SciELO - Scientific Electronic Library Online

 
vol.28 número1Making "Mini-Me's": Service-Learning as Governance of the Self in a South African Context índice de autoresíndice de materiabúsqueda de artículos
Home Pagelista alfabética de revistas  

Servicios Personalizados

Articulo

Indicadores

Links relacionados

  • En proceso de indezaciónCitado por Google
  • En proceso de indezaciónSimilares en Google

Compartir


Education as Change

versión On-line ISSN 1947-9417
versión impresa ISSN 1682-3206

Resumen

HAMDAN, Mohammed. More Than Fluency: Artificial Stuttering as a Therapy in Drama Education in Palestine. Educ. as change [online]. 2024, vol.28, n.1, pp.1-22. ISSN 1947-9417.  http://dx.doi.org/10.25159/1947-9417/13410.

This article explores the use of artificial stuttering as a powerful practice and therapy in higher education in Palestine where the need for applied drama is increasing. It specifically focuses on the artistic and/or performative re-employment of Charles Dickens's Nicholas Nickleby to enhance the academic achievement and social development of dysfluent students throughout and beyond their university education. By using extra-curricular, art-mediated training and in-class performance of chosen passages from Dickens's narrative, students not only improve their linguistic and intellectual competencies but also develop dynamic confidence to articulate themselves in daily social contexts during self-presentation. This academic practice, which is part of a one-term educational disability programme, focuses on training a selected number of undergraduate students with a severe or mild stutter by relying on the technique of artificial impersonation of the stuttering of Smike, who is one of the most common Victorian dysfluent characters, in different melodramatic acts. In this experience, students show linguistic growth and social command of communication, and thus chart a new subjective identity.

Palabras clave : artificial stuttering; Palestine; education; Dickens; language; drama; communication.

        · texto en Inglés     · Inglés ( pdf )

 

Creative Commons License Todo el contenido de esta revista, excepto dónde está identificado, está bajo una Licencia Creative Commons