SciELO - Scientific Electronic Library Online

 
vol.29 número1What would Bakhtin say about Isaiah 21:1-12? A re-readingUnderstanding (the lack of) space in Psalm 47:6 in light of its neighbouring Psalms: A spatial reading of Psalms 46-48 índice de autoresíndice de materiabúsqueda de artículos
Home Pagelista alfabética de revistas  

Servicios Personalizados

Articulo

Indicadores

Links relacionados

  • En proceso de indezaciónCitado por Google
  • En proceso de indezaciónSimilares en Google

Compartir


Old Testament Essays

versión On-line ISSN 2312-3621
versión impresa ISSN 1010-9919

Resumen

MICHAEL, Matthew. Daniel at the beauty pageant and Esther in the lion's den: Literary Intertextuality and Shared Motifs between the Books of Daniel and Esther. Old testam. essays [online]. 2016, vol.29, n.1, pp.116-132. ISSN 2312-3621.  http://dx.doi.org/10.17159/2312-3621/2016/v29n1a8.

The present paper reads the books of Esther and Daniel as polemic writings of the Persian period which subtly seek to undermine the rhetoric of each other. Since the postexilic environment posed an enormous challenge to the Jewish identity, the great need to preserve this identity became a reoccurring motif in most postexilic compositions. Crystallizing this postexilic discourse, however, the books of Esther and Daniel propose two opposing attitudes to the problem of Jewish identity. While the book of Esther generally advocates the extreme adoption and even marriage to these foreign cultures, the book of Daniel particularly its narrative section (1-6) rejects this particular perspective, and largely promotes a defiant disposition towards the dominant culture. Through intertextual connections, the paper engages the various motifs in Esther, and notes also the subtle engagement and even subversion of these motifs in Daniel.

Palabras clave : Esther; Daniel; Characterization; Intertextuality; Polemics; Shared Motifs; Postexilic.

        · texto en Inglés     · Inglés ( pdf )

 

Creative Commons License Todo el contenido de esta revista, excepto dónde está identificado, está bajo una Licencia Creative Commons