Resumo

PERKINSON, James W.. Jesters, tricksters, taggers and haints: Hipping the church to the Afro-hop, pop-'n-lock mock-up currently rocking apocalyptic Detroit. Herv. teol. stud. [online]. 2017, vol.73, n.3, pp.1-13. ISSN 2072-8050.  http://dx.doi.org/10.4102/hts.v73i3.4659.

The following essay investigates the animating force of jester-humour and trickster-critique as necessary components of prophetic consciousness and social movement. Climate change devastation coupled with racialised socio-economic predation today faces social movement with a stark demand. The root-work necessary enjoins challenge of human presumption about the meaning of life at the most basic level. The locus from which such a depth-exploration will be elaborated here is postindustrial Detroit, on the part of a poet-activist-educator who will insist that 'jesterism' as 'prophetic animation' cannot merely be 'talked about', but begs performance and embodiment - even in the process of writing and theorising. Indigenous wisdom and folk spirituality will supply historical perspective in asserting laughter as both antidote to trauma and tactic of critique - whether looking at traditional African practices of tricksterism reincarnate in everyday street life in Detroit, medieval Christian celebrations of the Feast of Fools subverting official Church orthodoxies in feudal Europe, or the postmodern insurgence of hip-hop beats and tags in challenging corporate gentrification and church capitulation at the emblematic heart of de-industrialisation.

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