SciELO - Scientific Electronic Library Online

 
vol.59 issue2Winterbach's Spyt and Scholtz's production: An expression of a postmodern impasseNarrating the Ugandan nation in Mary Okurut's The Invisible Weevil author indexsubject indexarticles search
Home Pagealphabetic serial listing  

Tydskrif vir Letterkunde

On-line version ISSN 2309-9070
Print version ISSN 0041-476X

Abstract

CROUS, Marius. In the spirit of the Dionysian: Marlene van Niekerk's fan mail to Freddy Mercury. Tydskr. letterkd. [online]. 2022, vol.59, n.2, pp.29-39. ISSN 2309-9070.  http://dx.doi.org/10.17159/tl.v59i2.13422.

Drawing on Nietzsche's dichotomy between the Apollonian and Dionysian principles pertaining to classic tragedy, in this article, I consider the poem "Fan mail Freddy Mercury" by Marlene van Niekerk, from Kaar (2013) from that perspective. The poem deals with the rock musician Freddy Mercury and from my reading is shown to be exemplifying the Dionysian spirit through Mercury's movements, his performance and his vocal range. From my reading of the text it is evident that there was a strong fusion of the Apollonian and Dionysian in the life and work of Freddy Mercury. Despite his rebellious spirit and his negation of the faith of his childhood, culture dictated that he be buried in his faith. Van Niekerk, with her insight into the philosophy of Nietzsche, adds another dimension to the poem when she invokes Zarathustra, Nietzsche's prophetic figure, to be distinguished from the historical god of the Zoroaster faith. The metaphorical language used by the poet suggests her Dionysian playfulness.

Keywords : Apollo versus Dionysus; Kaar; Marlene van Niekerk; Nietzsche.

        · text in Afrikaans     · Afrikaans ( pdf )

 

Creative Commons License All the contents of this journal, except where otherwise noted, is licensed under a Creative Commons Attribution License