SciELO - Scientific Electronic Library Online

 
vol.54 número1Constructing an inclusive speech community from two mutually excluding ones: the third Afrikaans language movement índice de autoresíndice de materiabúsqueda de artículos
Home Pagelista alfabética de revistas  

Servicios Personalizados

Articulo

Indicadores

Links relacionados

  • En proceso de indezaciónCitado por Google
  • En proceso de indezaciónSimilares en Google

Compartir


Tydskrif vir Letterkunde

versión On-line ISSN 2309-9070
versión impresa ISSN 0041-476X

Resumen

ERUVBETINE, A. E.  y  AZUMURANA, Solomon Omatsola. Melancholia and the search for the lost object in Farah's Maps. Tydskr. letterkd. [online]. 2017, vol.54, n.1, pp.142-157. ISSN 2309-9070.  http://dx.doi.org/10.17159/tvl.v.54i1.9.

Maps, given its intriguing narrative thrusts and multi-axial thematic concerns, is arguably the most studied or analysed of Nur-rudin Farah's nine prose fictions. The novel's title as well as its synopsis has naturally dictated the focus of critics on the Western Somalia Liberation Front's war efforts geared towards liberating the Ogaden from Ethiopian suzerainty and restoring it to Somalia. The nationalist fervour, the war it precipitates and its fallouts of a strife-ridden milieu have such a pervading presence in the novel that the personal experiences of the novel's two major characters, Askar and Misra, are quite often discussed as basic allegories of ethnic and nationalistic rivalries. This paper focuses on the personal experiences of Farah's two major characters. It contends that the private story of Askar and Misra is so compelling and central to the many issues broached in the novel that it deserves significant critical attention. Drawing upon Sigmund Freud's and Melanie Klein's concepts of melancholia, the paper explores how central the characters' haunting sense of melancholia is to the happenings in Farah's Maps.

Palabras clave : Freud; Klein; melancholia; lost object; Maps [Nurrudin Farah].

        · texto en Inglés     · Inglés ( pdf )

 

Creative Commons License Todo el contenido de esta revista, excepto dónde está identificado, está bajo una Licencia Creative Commons