SciELO - Scientific Electronic Library Online

 
vol.54 número1The traces of Raka: on rewriting and canonization (Part 1)Manifestations of love in Langsaan die vuur (A. H. M. Scholtz) índice de autoresíndice de assuntospesquisa de artigos
Home Pagelista alfabética de periódicos  

Serviços Personalizados

Artigo

Indicadores

Links relacionados

  • Em processo de indexaçãoCitado por Google
  • Em processo de indexaçãoSimilares em Google

Compartilhar


Tydskrif vir Letterkunde

versão On-line ISSN 2309-9070
versão impressa ISSN 0041-476X

Resumo

MOON, Jihie. Hybrid self–(re)presentation in the diaries of Hennie Aucamp. Tydskr. letterkd. [online]. 2017, vol.54, n.1, pp.44-62. ISSN 2309-9070.  http://dx.doi.org/10.17159/tvl.v.54i1.3.

This article on Hennie Aucamp approaches his journals as ego-documents. The positional dilemma and identity crisis of Afrikaners in the new South Africa are portrayed in the triptych: Gekaapte tyd (Captured time, 1996), Allersiele (All Souls, 1 997) and Skuinslig (Light at Dusk, 2003). Aucamp's journals constitute a hybrid composite that bridges the space between a personal reflection on daily life and that of a historical, social and cultural document. Through the complex process of disguise and revelation of the "I", Aucamp's diaries create a space that allows free contemplation and reflection both on the socio-cultural developments in the new South Africa and on the fate of Afrikaners and Afrikaans itself. It is from his feeling of displacement and expatriation as a white Afrikaner under the new system and his fear of the disappearance of Afrikaners and Afrikaans that Aucamp positions himself as a defender of Afrikaner culture. Moreover, Aucamp claims that this cultural legacy could be used as future-oriented survival strategy: the preservation of culture being simultaneously self-preservation. It is within this framework that he makes a subtle comparison between Afrikaans and Afrikaner culture and the culture of the San; his affinity for the lost culture of the San runs parallel with his defence of the world of Afrikaners. This has resulted in the writer's socio-cultural criticisms and commentaries in a certain sense becoming a personal performance in favour of the recreation of a lost Afrikaner language and culture. At the same time, they illustrate the writer's attempt to position himself strategically with regard to the future-oriented formation of identity-not only of himself, but also of the reader. It is within this context that the increase in ego-documents written in modern-day South African and Afrikaner literature can also be seen as a struggle against loss and forgetting.

Palavras-chave : Afrikaner; autobiography; diary; ego-document; Hennie Aucamp; life writing.

        · texto em Holandês     · Holandês ( pdf )

 

Creative Commons License Todo o conteúdo deste periódico, exceto onde está identificado, está licenciado sob uma Licença Creative Commons