Tydskrif vir Letterkunde
versión On-line ISSN 2309-9070
versión impresa ISSN 0041-476X
OGWUDE, Sophia O.. History and ideology in Chimamanda Adichie's fiction. Tydskr. letterkd. [online]. 2011, vol.48, n.1, pp.110-123. ISSN 2309-9070.
The colonial experience of the African and the imposition of colonial values on the African worldview are factors that indeed had provided the impetus and even motivation for much of the literary production in the continent. This essay traces specifically the issue of religious ideology/conflict from Achebe through Ngũgĩ to Adichie. It attempts to show that in the successful execution of her goals and objectives in Purple Hibiscus, Chimamanda Adichie mounts the rostrum reserved for the African masters of the art. In this novel, she, in addition to other things, shows the wickedness perpetrated by overzealous African converts who often demand and expect (from their dependants) the degree of self-negation which Soyinka has identified as cultural hostility. The essay further posits that in the celebration of Nigerian history, even when 'temporarily dislocated', as well as our legitimate niche in the Commonwealth of Nations, as she has done in Half of a Yellow Sun, Adichie educates non-Africans and alienated Africans about the indomitable African spirit.
Palabras clave : African cultural traditions; African male autocracy; colonial social values; Nigerian women fiction; religious chauvinism.