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    Literator (Potchefstroom. Online)

    On-line version ISSN 2219-8237Print version ISSN 0258-2279

    Literator vol.38 n.1 Mafikeng  2017

    https://doi.org/10.4102/lit.v38i1.1265 

    LITERA

     

    The Karoo: The Burlington House

     

     

    Patricia G. Maritz

    Department of Philosophy, University of Zululand, South Africa

    Correspondence

     

     

    Let's go down the footpath
    to the fields of wild tobacco
    where October blossoms after a rainstorm
    of white descent,
    whirl through the dust to become nothing.
    Among the yellow firethorn the young beetles cavort,
    and in an intensity of purple see the quiver
    of a saffron-shaded butterfly's wing.
    Perhaps we'll go where the river
    runs parallel with the sea,
    to the dune forest where the pine fallings
    drift down to settle on damp sand...
    No... inland, an overlay of hills hides
    a corrugated iron house with an interior of glass,
    mirrors, and coral coloured ribbons.

    There great winds blast through the windows,
    lifting the dust into chaos.
    When the coal fire flares,
    a discharge of heat scatters the ash,
    and like down it floats onto a cold stone floor.
    (There the ceilings are so high.)
    A still chamber reveals a glass doll,
    the crystal eyes stare lifelessly ahead.
    Iridescent light pools at the corners,
    then slides over her cheeks like fallen tears.
    (There the lace handkerchiefs are so old
    )
    The lure of the sash window entices the moon
    to steal noiselessly as a phantom onto its sill,
    and to slip through its opening to spread
    a white mantle over ancient marble.

    Garlands of berries and bell flowers,
    are entwined in carved wooden ribbons
    against a mahogany cabinet.
    From above, pale wax drops
    from the hearts of rose candles.
    On a white-tiered plate with personalized napkins,
    pink, yellow, and blue petit-fours glazed
    with apricot, lemon fondant, marzipan, and vanilla
    are crowned with cherries and frosted roses.
    The 'treat me', 'kiss me', 'love me', 'hug me'
    biscuits lie undetected beneath candy kisses,
    gingerbread-hearts and iced flowers.

    You rest on a four-poster bed,
    your damp hair upon the faded, cotton cushions,
    and sheets with frayed hems.
    At the corners our initials unravel

    (and the scent of Marigolds is in the air).
    Like a child trapped in a closet, hidden love
    hungers between the halves of a sealed locket
    on your breast.

    But then your urgent whisper
    (stilled by my cold finger pressed to your lips).
    I draw up the covers and turn away

    and the wind that drifts across the plain
    is like your warm breath mingling with my own,
    and detained in each stroke of the windmill,
    is your suggestion

    and it lingers on the edges of my mind
    like a negligently placed visiting card

     

     

     

    Correspondence:
    Patricia Maritz
    patricia.maritz@gmail.com