 Articles |
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| | · Models in the construction of female identity in Nigerian postcolonial literature
Oloruntoba-Oju, Omotayo; Oloruntoba-Oju, Taiwo
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| | · The politics of rape: Traces of radical feminism in Disgrace by J. M. Coetzee
Barnard, Lianne
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| | · 'From today onwards, your name is February!' Naming and name stripping in texts of Diana Ferrus, I. D. du Plessis and Rayda Jacobs
Chaudhari, Shamiega
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| | · The displaced Male-Image in Kaine Agary's Yellow-Yellow
Chukwumah, Ignatius
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| | · Soul-brother Eugène N. Marais: Some notes towards a re-edit of his works
Gray, Stephen
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| | · A personal text owned by its public - changing readings of Sarah Raal's Met die Boere in die Veld
Drwal, Malgorzata
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| | · Cultural conflict and shifting identities in Stephen Black's The Dorp (1920)
Snyman, Salomé
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| | · Femi Osofisan tackles graft and corruption: A reading of his socially committed plays
Ajidahun, C. O.
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| | · Writing violence: Problematizing nationhood in Wole Soyinka's A Shuttle in the Crypt
Akingbe, Niyi
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| Tributes |
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| | · Chinua Achebe (1930-2013)
Ojaide, Tanure; Gomba, Obari; Ogude, James
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| | · Chinua Achebe (1930-2013)
Ojaide, Tanure
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| | · Things still apart: Chinua Achebe's whetstone
Gomba, Obari
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| | · Chinua Achebe
Ogude, James
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| Review Article |
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| | · Deon Opperman and Janine Neethling's Die Skepping - A Spectacle
Stimie, Annemie
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| Reviews |
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